I used to talk to her about the errors of the theologians; for example, how I had ‘disrupted’ the Jesus Seminar conference at Notre Dame in October of 1986 by telling them that the Doctrine of “resurrection” is a doctrine of ‘Rebirth’…
And that, a few months later, I was detained by someone from Notre Dame Campus Security, telling me that Notre Dame was contemplating pressing charges against me for “disturbing the peace” since they had a video-tape of my comments.
To which I, of course, responded with something along the lines of “Make my day…”
The details of which, Insh’allah, will soon be made known.
And it was on October 24th of 1986 (her 24th birthday) that I gave Robin the manuscript, copies of which had previously been given to the members of the Jesus Seminar.
For:
Sarah-->Elijah-->Daniel-->John the Baptist-->Mohammed-->Elizabeth
“Then I saw an eagle ascend with great power and majesty over the scene of the slaughter, its wings of emerald green and luminescent blue. The eagle’s strength was in its flight and its power greatly exceeded the power of the monster [beast-Edit].
And it was fitted with a beak and talons of iron to devour and destroy the inhabitants of the earth.
And the earth was covered with blood.”
(A copy of this Prophecy was sent to thousands upon thousands of monotheistic religious ‘authorities’ over the past 32+ years; they were uninterested.)
The color blue, the flashing blue lights, and the darkness resulting from the extinguishing of the last candle-power of Truth signifies the 5th Trumpet and the opening of the 5th Seal, the emotion of which is sorrow.
The notes of the song (1, 2, 3; 1, 2, 3; 1, 2, 3, 4, 5, 6, 7) represent the Three Phases of the attack of the Sons of Light, the Three Phases of the retaliation of the Sons of Darkness, and the Victory of the Sons of Light with the ‘Seventh Lot’.
The lines of dancers and the four women touching hands and turning in a counter-clockwise circle prior to the formation of the upward-pointing triangle (time segment: 0:31-0:34) represent the Second Phase of the War of the Sons of Light, and the time-reversal of the Revelation of the Memory of Creation (Genesis 2:7) and the revelation of the memories of previous lives (Chapter 26:19 of the Book of Isaiah, Chapter 12:2 of the Book of Daniel, Chapter 27:52-53 of the Gospel of Matthew, and Chapter 20:36 of the Gospel of Luke); which Reveals the Third Phase of the War of the Sons of Light and the Vision of the “Son of man”/“Night Journey” of Mohammed.
The geometry of the dance formation changes, beginning at time 0:39, from an upward-pointing triangle (away from the audience), signifying Ishmael and the search for Truth and scientific truth; to, at time 1:21, with the arrival of the messenger of Truth [Michael (a synchronicity with Chapter 10:21 & 12:1 of the Book of Daniel, Chapter 12:7 of the Revelation of John, and Sura 2:98 of the Quran) Flatley (a synchronicity with the 2-dimensional ‘flat’-space “observing consciousness”)], the down-ward pointing triangle (toward the audience), signifying Isaac and the Revelation of Truth.
Etc. etc. etc.; the final position of the dancers, at time 1:59, representing the crucifixion of the Jews of Jerusalem by the Romans.
For:
Sarah-->Elijah-->Daniel-->John the Baptist-->Mohammed-->Elizabeth
We worked the night shift on 7E together; you as a Registered Nurse, I as a Respiratory Therapist (who explained to you, on one occasion, the series of arterial blood gas results necessary for the diagnosis of impending ventilatory failure).
I haven’t seen you for more than 23 years, but I still remember you (time segment: 0:58-1:00).
It would have been much better if you simply could have believed that I was telling you the Truth about who you were in your previous lives. But that, of course, was simply not possible at the time; the question being whether now, after almost 27 years—and if you should read what I have written during that time—it would be any different.
In any case, it was because of a conversation I had with you (in the nurse’s station on October 24, 1986)—it is important to get this written down before I die—that I came to an understanding of the 2-dimensional ‘flat’ space “observing consciousness”; something that I wanted to explain to you, but you never gave me the opportunity...
I still have the letter you sent me, since I knew that I had told you the Truth.
The woman in white signifies the “queen of the South” (Chapter 12:42 of the Gospel of Matthew), the Feminine characterization of the Vision of the “Son of man” (time segments 0:57-0:59, 2:22-2:24 & 2:26-2:28); while the woman in red signifies ‘the Fall’ to the dualistic consciousness of the “self”.
One day, Insh’allah, I will be able to explain to you the other parts of this dance and what they signify (time segment 1:06-1:09, for example, representing the writing of Revelation; time segment 1:47-1:49 representing the reading of Revelation; the four dancers around the woman in white representing the Revelation of the “resurrection” at the Fourth Church and “progressive Revelation”; etc. etc. etc.).
